Abstract

　　Two protest songs created within the first month of the 2019 Chilean uprising were intended as explicit statements against violence and in favor of peace, but they voiced different understandings of violence and proposed different ways out of the conflict. The artists behind each song argued that their recordings were nonpartisan, cutting across traditional left-right divides. The songs’ use and reception, however, shows that for Chilean audiences these songs conveyed a clear political cleavage through their lyrics, music, and audiovisual content. More broadly, consideration of music in the Chilean uprising foregrounds the ways in which the uses of music have changed since the classic era of protest song of the 1960s and 1970s.

　　From: Latin American Perspectives 2023 50 (3)

　　Editor: Wang Yi