Rosalind Hampton Ontario

Abstract

In a Montreal neighbourhood in the fall of 2013, a community mural celebrating ‘diversity, adversity and solidarity’ was vandalized: the image of a Black woman was spray-painted white. In this paper, I take the events and discourses surrounding this incident and my personal responses to them as a starting point for examining the racialized politics of visual representation. Using critical race-class analysis informed by contemporary theories of Black visuality, I consider dynamics of Black invisibility and visibility in Canada and consider the role visual texts play in reinforcing, reproducing, and resisting racialized social relations. I argue for caution regarding politics of representation, and consider Black and Indigenous art practices for the creative forms of resistance to colonial-capitalist ideology and visual logics they offer.

Keywords

Racial literacy, Black visuality, anticolonialism, haunting, neoliberalism, Québec

From: Cultural studies 2019 33 (3)

Editor: Wang Yi